![]() It can be positioned in the center of the 2.35 screen, with larger pillar-boxing on either side. There is also plenty of 4:3 format material still being watched today as well. Here is what a scene from Chicago looks like on a 2.35 format screen: For example, the movie Chicago was done in 1.85. When this type of material is displayed on a 2.35 screen, you get black vertical bars, or columns, on each side the image, commonly referred to as pillar-boxing. In addition, there are a few films done in 1.78, and many more are done in 1.85, which is so close to 1.78 that you usually don't notice the difference. Meanwhile, all regular HDTV programming is in 16:9 format, otherwise known as 1.78 because 16 divided by 9 is 1.78. As an example, The Fifth Element was done in 2.35, and if you project it onto a 2.35 screen it would look like this: ![]() The big advantage is that you can see movies that are made in this format full frame, without any black bars above or below the picture. The idea is to install a screen with a 2.35:1 aspect ratio, or 2.35 units wide for every one unit of height. If you are about to install a new home theater, a fundamental question to ask would be, "Is the 2.35 format right for me, or should I stay with 16:9?" Let's examine the issues and see what's right for you.įirst, let's be clear about what we are talking about. The most popular of the alternative formats is 2.35:1 since many motion pictures are filmed in this aspect ratio. Just when everyone has gotten used to the concept of converting from plain ole 4:3 television to widescreen 16:9 video systems, a new format option is popping up-some people are going with even wider screen formats for their home theaters. NOTICE: THIS ARTICLE HAS BEEN REWRITTEN AND UPDATED.
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